725
清·黃士陵刻青田石歐陽耘自用印
印文:啟事
邊款:“啟”字從戈虢叔鐘,“事”字小子師敦,牧甫。
出版:1.《黃牧甫印存十三集》,鈐拓本,清光緒三十四年(1908)。
2.《黟山人黃牧甫先生印存》第二冊P101,上海西泠印社鈐拓本,民國二十四年(1935)。
3.《黃牧甫印存》卷上P49,黃文寬輯鈐印本,1956年。
4.《增選黃牧父印存》上集P241,曾紹杰輯,臺灣出版,1977年。
5.《增補黃士陵印譜》P87,揚州古籍書店,1992年。
6.《黃士陵印譜》上冊P98,上海書店出版社,1993年。
7.《黃牧甫印影》下集P290,榮寶齋出版社,1996年。
8.《黃牧甫篆刻作品集》P165,廣西美術出版社,2000年。
9.《黃牧甫經(jīng)典印作技法解析》P83,重慶出版社出版,2006年。
10《黃牧甫流派印風》P85,重慶出版社,2011年。
11《黟山人黃牧甫先生印存》上集P204,人民美術出版社,2014年。
12.《瓦存室藏黃牧甫印五十三鈕小譜》P11,香港步蓮書屋,2018年。
13.《廣東省立中山圖書館藏黃牧甫印譜九種》下冊P360,西泠印社出版社,2018年。
14.《黃牧甫自鈐初刻印譜三種》P186,西泠印社出版社,2020年。
QING DYNASTY A QINGTIAN STONE SEAL ENGRAVED BY HUANG SHILING FOR OUYANG YUN'S PRIVATE USE
Illustrated: 1.Thirteen Albums of Huang Shiling's Seal Impressions, vol. 8, p. 13, 1908
2.Seal Plates from Huang Mufu, vol. 2, p. 101, People's Fine Arts Publishing House, 1935
3.Seal Impressions of Huang Shiling, vol. 1, p. 49, 1956
4.Sequel to Seal Collection of Huang Mufu, p. 241, Taiwan, 1977
5.Supplement to Seal Cutting Album of Huang Shiling, p. 144, Yangzhou Ancient Book Store, 1992
6.Seal Plates of Huang Shiling, vol. 1, p. 98, Shanghai Bookstore Publishing House, 1993
7.Seal Impressions of Huang Shiling, vol. 2, p. 290, Rong Bao Zhai Publishing House, 1996
8.Collection of Huang Mufu's Seal Cuttings, p. 165, Guangxi Fine Arts Publishing House, 2000
9.Analysis on Huang Mufu's Classic Seal Cutting Skills, p. 83, Chongqing Publishing House, 2006
10.Seal Plates of Huang Mufu School, p. 85, Chongqing Publishing House, 2011
11.Seal Plates from Huang Mufu, vol. 1, p. 204, People's Fine Arts Publishing House, 2014
12.Wacunshi Collection of Huang Mufu’s Seals, p. 11, Hong Kong Bulian Bookstore, 2018
13.Nine Seal Impressions of Huang Mufu Collected by Zhongshan Library of Guangdong, vol. 2, p. 360, Xiling Seal Engraver's Society Publishing House, 2018
14.Three Kinds of Seal Impressions by Huang Mufu, p. 186, Xiling Seal Engraver's Society Publishing House, 2018
1.5×1.5×3.7cm
RMB: 150,000-250,000
作者簡介:黃士陵(1849~1908),字牧甫、穆父,安徽黟縣人。通六書,工篆刻,兼精繪事。所畫工筆花卉力追徐崇嗣沒骨法,精摩繪鼎器,為藝林所重。篆刻成就尤為突出,于浙皖兩派外另辟蹊徑,其書法得六朝遺韻,素有“徽派盟主”之稱,藝術成就與吳讓之、徐三庚、趙之謙輩抗衡,為晚清藝壇一大家。
印面主人簡介:歐陽耘(1864~?),字務耘、務蕓,號三神山游客、寅齋、朱沙硯主。與黃士陵友善。